Pianist Kevin Bales |
This past Saturday the quartet of the fine pianist Kevin
Bales entertained the patrons of the Mason Tavern in North Decatur. The Tavern
has been revitalized with the addition of partner Sam Yi, of Churchill Grounds
fame, and his inclusion of Thursday night jazz sessions since December 8, 2016.
The formula has worked so well that Sam recently expanded the music to include Saturday
night shows.
Yi has been a fixture on the Atlanta jazz scene as the
proprietor of the venerable jazz club “Churchill Grounds.” The club was forced to close last July after a
twenty-year run. In search of an
alternate venue, Sam was able to institute pop-up jazz events at the Mason Tavern,
a local North Decatur eatery on Clairmont Road, and to date some
extraordinary jazz has been played at this welcoming venue.
The venue has featured a stable of local and nationally
recognized talent with names like Louis Heriveaux, Russell Gunn, Dave Potter,
Craig Shaw, Darren English, Terrence and Deshawn Harper, Marlon Patton, Gary Motley
and Chris Burroughs appearing on multiple occasions. It has also seen the likes of Jason Marsalis,
Carl Allen, Rodney Witaker, Theodross Avery and Russell Malone all sitting-in
at the Tavern.
Kevin Bales and Sam Yi at Mason Tavern |
Robert Boone, dr; EJ Hughes,saxs; Kevin Smith, b; Kevin Bales, keys |
The set continued with the classic “Time After Time,” a song
originally penned for the film It
happened in Brooklyn. Hughes on tenor this time using a vibrato-less,
soulful tone that had no pretense or flash. Bassist Smith produced nice, plump
walking bass notes over which Bales played a particularly bluesy piano solo.
The quartet proceeded with the traditional New Orleans standard
“House of the Rising Sun,’ popularized by Eric Burden and the Animals in 1964.
Under Bales direction the group took a deep, down and dirty approach to this
blues classic. Bassist Smith showed off his arco abilities by bowing a soulful passage.
Saxophonist Hughes also elicited some mournful notes on his sparse tenor.
Drummer Boone tastefully kept the pace as Bales, a master of dynamics, led his group up through a crescendo of
tension ultimately easing the music back down to a skillful release.
“If I Were a Bell,” a song penned for the 1955 musical Guys and Dolls and made famous by Miles
Davis rendition on his 1956 album Relaxin”
with the Miles Davis Quintet, was next on the playlist. The group played this with tremendously
intuitive interplay, Boone being especially attentive to Bales musical
suggestions along the way. Smith knowing precisely where to place purposeful
bass line for maximum effect. This was surprising as Bales admitted to having
not discussed the playlist with his rhythm section prior to the gig.
The group ended the first set with the title track from the
1990 Spike Lee movie of the same name “Mo Better Blues.” Bales switched the
tone of his electronic keyboard to sound like an organ. The tone was perfect
for the gospel inspired composition that had the band cooking, with Bales
directing the up and down of the pace at will. Bales is an incredibly facile
player who seems to have an inner wellspring from which percolates creativity and
expansion in his playing. His ebullient personae is infectious spurring on his
bandmates and assuring his audiences a night of musical adventure and steamy delight.
You can listen here:
https://play.spotify.com/artist/6rtoiKVyvoRkGROcRQ2bkr
You can listen here:
https://play.spotify.com/artist/6rtoiKVyvoRkGROcRQ2bkr
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