Showing posts with label Brian Landrus. Show all posts
Showing posts with label Brian Landrus. Show all posts

Friday, December 4, 2020

Notes on Jazz : Best of Jazz 2020




The year 2020 will go down as a stressful, disappointing, and even a dangerous year for this country. Since March and the outbreak of Covid 19-undoubtedly the worst viral pandemic since the Spanish Flu took the world to its knees back in 1918- society has been endangered, quarantined, and generally stifled from any semblance of normality. It has also been an ugly and trying time. A time where we witnessed a string of racially motivated deaths that created reactive multi-racial protests demanding responsibility. These events stirred up intermittent riots across the country that vented frustration, destroyed property, and conjured up the appearance of a loss of law and order. It was a mess of a year.

Through it all, we have had to adapt to a world that demanded severely restrained travel and social intercourse. Work has been relegated to remote digital contact. These restrictions have economically beggared many previously active and engaged artists. Live concerts have been veritably obliterated. Many venues that allowed social connection between musicians, music, and their public have been stymied. Even the most natural of things for musicians, shedding, collaborating with peers, or performing for audiences,have become relegated to video engagements or zoom collaborations. Despite all these formidable physical and monetary obstacles, artists and musicians have found a way to still create, record, and share their endeavors with us, enriching our lives and bringing the light of creativity and passion to all us in these otherwise difficult times.

As the year is rapidly starting to close I am proud to have had the opportunity to carefully listen to, marvel, and enjoy the works of many artists, some new to me and others reliable masters who continue to create amazing work.

Here are my picks, in no particular order, for some of the best of jazz for 2020 The selections come from diverse categories that include Big Band and large ensemble jazz works, modern small jazz groups, chamber/theatrical jazz, Latin/Brazilian jazz, vocal jazz, and notable historical releases for jazz in 2020. As with any list of favorites, these are purely subjective choices, and they do not include many fine albums that for one reason or another I have not personally had the opportunity to listen to in the past year.  Where possible, I have included links to sample music from the albums selected. Check these musicians out, listen, and enjoy.

Best of Jazz 2020: Big Band Music

John Hollenbeck with Kate McGarry, Theo Bleckmann, Gary Versace and The Frankfurt Radio Big Band: Song You Like A Lot: Flexatonic Records

 https://youtu.be/_BC5ieb8k_E

Maria Schneider and Orchestra: Data Lords: Artists Share


Dave Stryker with Bob Mintzer and the WDR Big Band: Blue SoulStrikezone Records

https://youtu.be/5DSPaY2iWJM


John Beasley: Monk’estra plays John Beasley: Mack Avenue Records

https://youtu.be/Rto2gSDcWj0

The Ed Palmero Big Band: The Great Un-American Songbook Vol III:

 Sky Cat Records

https://youtu.be/J2QSyrUASOU

 

 

Gregg August: Dialogues on Race Vol 1: Self-Produced

https://youtu.be/wYrGQHJev7w

Smaller  Jazz Groups 2020:

Jerry Bergonzi with Renato Chicco and Andrea Michelutti: Nearly Blue: Savant Records

https://youtu.be/6VHUJ0mYDyk

Jeff Cosgrove with Jeff Lederer and John Medeski: History Gets Ahead of the Story: Grizzley Music

https://youtu.be/zOiAvW7RCzI

Wolfgang Musthspiel with Scott Colley and Brian Blade: Angular Blues: ECM

https://www.ecmrecords.com/shop/1578640543/angular-blues-wolfgang-muthspiel


Grégoire Maret with Romain Collin and Bill Frisell: Americana:

 Act Music

https://youtu.be/jeZb5z3lQDM


Brian Landrus: For Now: Blueland Records

https://youtu.be/oiKRxBYul1s

Ricardo Grilli: 1962: Tone Rogue Records

https://youtu.be/WPG-fbTpUcU

 


John Scofield w Bill Stewart and Steve Swallow: Swallow Tales: ECM

https://www.ecmrecords.com/catalogue/1580225075



Aaron Parks Little Big III: Dreams of A Mechanical Man: Ropeadope Records

https://youtu.be/0jaxs4mTMjY


Dayna Stephens Trio w Ben Street and Eric Harland: Liberty: Contagious Music

https://youtu.be/su744saoJzY

 

 

Eric Revis: Slipknots Through a Looking Glass: Pyroclastic Records

https://youtu.be/qG-5zwGaNcs

 

 

Chamber Jazz/ Jazz Opera 2020:


Ryan Keberle, Frank Woeste, Vincent Courtois: Reverso The Melodic Line: Outhere Music

https://youtu.be/5asGkl7DJ28

 

Juliet Kurtzman and Pete Malinverni: Candlelight Love in the Time of Cholera: Self-Produced

https://youtu.be/842RWji-2RM

 

John Ellis and Andy Bragen: The Ice Siren: Parade Light Records

https://youtu.be/16EfYeU35MM

 

Best Debut Jazz Album 2020:



Raphael Pannier Quartet: Faune: French Paradox

https://youtu.be/czTPdt2xI1c

 

Best Jazz Vocal Album 2020:


Somi w John Beasley and the Frankfurt Radio Big Band: Holy Room Live at Alte Oper:

https://youtu.be/pBE9pU-mJwI

 

Best Latin Jazz Alum 2020:


Chico Pinheiro: City of Dreams: Buriti Records

https://youtu.be/KHYxknX1NEo

 

Best Historical Albums Released in 2020:

Thelonious Monk Quartet: Monk: Palo Alto Live from 1968: Impulse Records

       https://youtu.be/tr1P6JWD2cU


Bill Evans with Eddie Gomez and Jack DeJohnette: Bill Evans Live at Ronnie Scott’s July 1968: Resonance Records

https://youtu.be/sjCN8nMLEyY


Nat King Cole: Hittin’ the Ramp, The Early Years 1936-1945: Resonance records

https://youtu.be/qW7h1HaRB0s

 

Further worthy recordings your consideration from 2020:

Aaron Diehl w Paul Skivie and Gregory Hutchinson: The Vagabond: Mack Avenue Records

Rudresh Mahanthappa: Hero Trio: Whirlwind Records

Chick Corea w Christian McBride and Brian Blade: Trilogy 2:Concord Records

Edgar Djangirov: Rhapsodize: Twelve Tone Resonance

Steve Cardenas: Blue Has a Range: Sunnyside Records

Amina Figarova Edition 113: Persistence: AmFi Records

Kenny Barron, Dave Holland  Trio w Jonathan Balke: Without Deception: Dare 2 Records

Marvin Stamm and Mike Holober: Live @ Maureen’s Jazz Cellar: Big Miles Music

Denny Zeitlin Trio: Denny Zeitlin Live at Mezzrow: Sunnyside Records

Martin Wind, Philip Catherine & Ack Van Rooyen: White Noise: Laika Records

Rez Abbasi w Neil Alexander and Michael Sarin: Django Shift: Whirlwind records

Chris Dingman: Embrace: Inner Arts Initiative

Jason Palmer: The Concert: 12 Musings for Isabella: Giant Step Arts

John DiMartino: Passion Flower: The Music of Billy Strayhorn: Sunnyside Records

Thana Alexa: Ona: Self-Produced

Sirkis/Bialis IQ: Our New World: MoonJune records

Dave Douglas: Dizzy Atmosphere Dizzy at Zero Gravity: Greenleaf Music

Marcin Wasilewski Trio w Joe Lovano: Artic Riff: ECM

Keb’ Mo’: Oklahoma: Concord Records (Blues)

Craig Taborn: Junk Magic- Compass Confusion : Pyroclastic Records

Jeff Hamilton Trio: Catch Me if You Can: Capri

Guiseppe Paradiso Meridian 71: Metropolitan Sketches: Self-Produced


Monday, July 20, 2015

Brian Landrus Explores the Depths of Music on "The Deep Below"

Brian L:andrus "The Deep Below


Multireedist Brian Landrus is making a name for himself utilizing a creative approach to exploring the depths and textures of the lower register sounds that can be produced on his array of bottom instruments. People are apparently catching on as he has been named rising star on the Baritone Saxophone in this year’s Downbeat Critics poll. On The Deep Below, his latest effort, he probes into the lush and evocative sounds of the lower register, utilizing his signature baritone saxophone, the bass clarinet, the bass saxophone and the bass flute to make his point. Low can be intoxicatingly sexy and poignantly moving when played with thought, precision and passion. Mr. Landrus has no shortage of any of these qualities in his playing and his writing. On this album Landrus is joined by the consummate bassist Lonnie Plaxico and the veteran trap master Billy Hart. Together they make beautiful music of a kind and quality that is not often enough heard today.

Of the ten songs on this album all but three are Landrus compositions.  The three standards are Ellington’s “Sophisticated Lady.” I suspect this is a tip of the hat to baritone master Harry Carney. This is a marvelous tribute to Carney's contribution to the canon, as well as a masterfully played rendition of an all time classic. Landrus’ sensuous tone melts into Plaxico’s plucky bass lines in a symbiotic way-this one’s magic. Coltrane’s “Giant Steps “is a solo performance of melting crescendos of sound that are as fluid as you’ll find on baritone.  “I’m a Fool to Want You,” the last standard on the cd, opens with a bellowing bass introduction by the plucky Plaxico. Landrus’ baritone lingers on every note, taking this one at a pace so slow as to almost be somnambulant, but somehow they make it work to their advantage. The song’s anguish is dripping in the painfully plaintive cry of Landrus’ horn. Hart’s brushes are barely perceptible except at precise accents and the song is hauntingly moving.

Landrus’s compositions are their own reward, from the playfully loping feel of “Fly” to bellowing bottom sounds of Landrus on the bass saxophone on “The Beginning” where you feel like you have entered another dimension somewhere dark and foreboding. Landrus utilizes the woody sound of the bass clarinet on the darkly rich “Fields of Zava,” and the shuffling “Orebro Treaty.” His bass clarinet is unaccompanied on both the mystical “Just a Fading Memory” and the peaceful “Open Water.”Playing  a beautifully evocative bass flute on “Will She Ever Know” and “Ancient,”, Mr. Landrus  shows that he has no limit within the confines of these lower register instruments, making beautiful and expressive music.

The album ends with Landrus returning to baritone on “The Age,” where the group’s has a chance to open up and the interplay is buoyant and playful. Plaxico’s bass anchors the theme and Hart is a master of understated precision. “Once Again” ends the cd on a somber note with Plaxico bowing deep into the lowest notes on his bass and Landrus' fluttering woody tones on the Bass Clarinet. The piece has a chamber music quality to it.


Brian Landrus has created homage to the bottom register with The Deep Below, a proclamation that lingering in the lower depths of the musical scale can yield surprisingly beautiful results.